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Twilight (2005) New Moon (2006) Eclipse (2007) Breaking Dawn (2008) | |
Author | Stephenie Meyer |
---|---|
Country | United States |
Language | English |
Genre | Romance, fantasy, young adult fiction |
Publisher | Little, Brown and Company |
Published | 2005–2008 |
Media type |
Twilight is a series of four vampire-themedfantasyromance novels by American author Stephenie Meyer. Released annually from 2005 through 2008, the four books chart the later teen years of Isabella 'Bella' Swan, a girl who moves to Forks, Washington, and falls in love with a 104-year-old vampire named Edward Cullen. The series is told primarily from Bella's point of view, with the epilogue of Eclipse and Part II of Breaking Dawn being told from the viewpoint of character Jacob Black, a werewolf. The unpublished Midnight Sun is a retelling of the first book, Twilight, from Edward Cullen's point of view. The novella The Short Second Life of Bree Tanner, which tells the story of a newborn vampire who appeared in Eclipse, was published on June 5, 2010, as a hardcover book and on June 7 as a free online ebook.[1]The Twilight Saga: The Official Illustrated Guide, a definitive encyclopedic reference with nearly 100 full color illustrations, was released in bookstores on April 12, 2011.[2]
Since the release of the first novel, Twilight, in 2005, the books have gained immense popularity and commercial success around the world. The series is most popular among young adults; the four books have won multiple awards, most notably the 2008 British Book Award for 'Children's Book of the Year' for Breaking Dawn,[3] while the series as a whole won the 2009 Kids' Choice Award for Favorite Book.[4]
In November 2011, the series had sold over 120 million copies worldwide with translations into at least 38 different languages around the globe.[5] The four Twilight books have consecutively set records as the biggest selling novels of 2008 on the USA Today Best-Selling Books list[6] and have spent over 235 weeks on the New York Times Best Seller list for Children's Series Books.[7]
The books have been adapted into The Twilight Saga series of motion pictures by Summit Entertainment. The film adaptations of the first three books were released in 2008, 2009, and 2010 respectively. The fourth book is adapted into two full-length films—the first film being released in November 2011, and the second film in November 2012.[8]
- 1Plot overview
- 7Other books
- 8Reception
- 8.2Negative reception
Plot overview
Twilight
Bella Swan moves from Phoenix, Arizona to live with her father in Forks, Washington to allow her mother to travel with her new husband, a minor league baseball player. After moving to Forks, Bella finds herself involuntarily drawn to a mysterious, handsome boy, Edward Cullen and eventually learns that he is a member of a vampire family which drinks animal blood rather than human blood. Edward and Bella fall in love, while James, a sadistic vampire from another coven, is drawn to hunt down Bella. Edward and the other Cullens defend Bella. She escapes to Phoenix, where she is tricked into confronting James, who tries to kill her. She is seriously wounded, but Edward rescues her and they return to Forks.
New Moon
Edward and his family leave Forks because he believes he is endangering Bella's life. Bella goes into a depression until she develops a strong friendship with Jacob Black, who she discovers can shape-shift into a wolf. Jacob and the other wolves in his tribe must protect her from Victoria, a vampire seeking to avenge the death of her mate James. Due to a misunderstanding, Edward believes Bella is dead. Edward decides to commit suicide in Volterra, Italy, but is stopped by Bella, who is accompanied by Edward's sister, Alice. They meet with the Volturi, a powerful vampire coven, and are released only on the condition that Bella be turned into a vampire in the near future. Bella and Edward are reunited, and she and the Cullens return to Forks.
Eclipse
Victoria has created an army of 'newborn' vampires to battle the Cullen family and murder Bella for revenge. Meanwhile, Bella is compelled to choose between her relationship with Edward and her friendship with Jacob. Edward's vampire family and Jacob's werewolf pack join forces to successfully destroy Victoria and her vampire army. In the end, Bella chooses Edward's love over Jacob's friendship and agrees to marry Edward.
Breaking Dawn
Bella and Edward are married, but their honeymoon is cut short when Bella discovers that she is pregnant. Her pregnancy progresses rapidly, severely weakening her. She nearly dies giving birth to her and Edward's half-vampire-half-human daughter, Renesmee. Edward injects Bella with his venom to save her life and turns her into a vampire. A vampire from another coven sees Renesmee and mistakes her for an 'immortal child'. She informs the Volturi, as the existence of such beings violates vampire law. The Cullens gather vampire witnesses who can verify that Renesmee is not an immortal child. After an intense confrontation, the Cullens and their witnesses convince the Volturi that the child poses no danger to vampires or their secret, and they are left in peace by the Volturi.
Main characters
- Bella Swan: The protagonist of the series, teenager Bella is a perpetually clumsy 'danger magnet' with dark brown hair and brown eyes. She is often portrayed as having low self-esteem and unable to comprehend Edward's love for her. She has an immunity to supernatural abilities involving the mind, such as Edward's mind-reading ability. After her transformation into a vampire in the saga's fourth installment, Bella acquires the ability to shield both herself and others from 'mental harm' from other vampires.
- Edward Cullen: Edward is a vampire who lives with a coven of like-minded vampires known as the Cullen family, who feed on animals rather than humans. Over the course of the Twilight series, Edward falls in love with, marries, and then has a child with Bella. At first, Edward feels a mutual hatred toward Jacob Black because of his love for Bella, but in Breaking Dawn, he comes to see Jacob as a brother and friend. Like some vampires, Edward has a supernatural ability: mind reading. It allows him to read anyone's thoughts within a few miles' radius. Bella is immune to his power as a human, but learns how to lower this 'shield' after her transformation to a vampire.
- Jacob Black: A minor character in the first novel, Jacob is introduced as a member of the Quileute tribe. He resurfaces in New Moon with a larger role as Bella's best friend as she struggles through her depression over losing Edward. Although he is in love with Bella, she initially sees him as just her best friend. He and other tribe members can shape-shift into wolves. In Eclipse Bella realizes that while she does love Jacob, her feelings for Edward Cullen are stronger. In Breaking Dawn, Jacob finds a soul mate in Bella and Edward's baby daughter, Renesmee, ridding him of his heartache for Bella.
Setting
The story is set primarily in the town of Forks, Washington, where Bella and her father, Charlie Swan, live. Other cities in Washington briefly appear in the series or are mentioned, such as Port Angeles, Olympia, Seattle and La Push. Some events in Twilight take place in Phoenix, Arizona, where Bella was raised. Volterra, Italy, is featured in New Moon, when Edward travels there to commit suicide and Bella rushes to save him. Jacksonville, Florida, is mentioned first in Twilight and second in Eclipse, when Edward and Bella visit Bella's mother, who has moved there with her new husband. Seattle, Washington, is featured in Breaking Dawn when Jacob tries to escape his love for Bella, and when Bella tries to locate a man named J. Jenks. It is also the location of a series of murders committed by newborn vampires in Eclipse. In Breaking Dawn, Bella and Edward spend their honeymoon on a fictional 'Isle Esme', purportedly off the coast of Brazil.
Structure and genre
The Twilight series falls under the genre of young adult, fantasy, and romance, though Meyer categorized her first book, Twilight, as 'suspense romance horror comedy'.[9] However, she states that she considers her books as 'romance more than anything else'.[9] The series explores the unorthodox romance between human Bella and vampire Edward, as well as the love triangle between Bella, Edward, and Jacob, a werewolf.[10] The books avoid delving into provocative sex, drugs, and harsh swearing because, according to Meyer, 'I don't think teens need to read about gratuitous sex.'[11]
The books are written in first-person narrative, primarily through Bella's eyes with the epilogue of the third book and a part of the fourth book being from Jacob's point of view. When asked about the structure of the novel, Meyer described her difficulty in pinpointing the premise of the novels to any specific their category:
I have a hard time with that. Because if I say to someone, 'You know, it's about vampires,' then immediately they have this mental image of what the book is like. And it's so not like the other vampire books out there–Anne Rice's and the few that I've read. It isn't that kind of dark and dreary and blood-thirsty world. Then when you say, 'It's set in high school,' a lot of people immediately put it in another pool. It's easy to pigeonhole with different descriptions.[12]
The books are based on the vampire myth, but Twilight vampires differ in a number of particulars from the general vampire lore. For instance, Twilight vampires have strong piercing teeth rather than fangs; they glitter in sunlight rather than burn; and they can drink animal as well as human blood. Meyer comments that her vampire mythology differs from that of other authors because she wasn't informed about the canon vampires, saying,
It wasn't until I knew that Twilight would be published that I began to think about whether my vampires were too much the same or too much different from the others. Of course, I was far too invested in my characters at that point to be making changes.. so I didn't cut out fangs and coffins and so forth as a way to distinguish my vampires; that's just how they came to me.[13]
Inspiration and themes
According to the author, her books are 'about life, not death' and 'love, not lust'.[14] Each book in the series was inspired by and loosely based on a different literary classic: Twilight on Jane Austen's Pride and Prejudice, New Moon on Shakespeare's Romeo and Juliet, Eclipse on Emily Brontë's Wuthering Heights, and Breaking Dawn on a second Shakespeare play, A Midsummer Night's Dream.[15] Meyer also states that Orson Scott Card and L. M. Montgomery's Anne of Green Gables series are a big influence on her writing.[12] The Cullens were inspired by Meyer's own family[16] as well as characters from the X-Men cartoon.[17] Other influences on the series which Meyer has acknowledged include Jane Eyre by Charlotte Brontë, HGTV, and the films Iron Man, Somewhere in Time, Stranger than Fiction, and Baby Mama.[17]
Other major themes of the series include choice and free will.[12][18] Meyer says that the books are centered around Bella's choice to choose her life on her own, and the Cullens' choices to abstain from killing rather than follow their temptations: 'I really think that's the underlying metaphor of my vampires. It doesn't matter where you're stuck in life or what you think you have to do; you can always choose something else. There's always a different path.'[18]
Twilight List Of Software Free
Meyer, a Mormon, acknowledges that her faith has influenced her work. In particular, she says that her characters 'tend to think more about where they came from, and where they are going, than might be typical.'[11] Meyer also steers her work from subjects such as sex, despite the romantic nature of the novels. Meyer says that she does not consciously intend her novels to be Mormon-influenced, or to promote the virtues of sexual abstinence and spiritual purity, but admits that her writing is shaped by her values, saying, 'I don't think my books are going to be really graphic or dark, because of who I am. There's always going to be a lot of light in my stories.'[19]
Origins and publishing history
Stephenie Meyer says that the idea for Twilight came to her in a dream on June 2, 2003. The dream was about a human girl, and a vampire who was in love with her but thirsted for her blood. Based on this dream, Meyer wrote the transcript of what is now chapter 13 of the book.[20] Despite having very little writing experience, in a matter of three months she had transformed that dream into a completed novel.[18] After writing and editing the novel, she signed a three-book deal with Little, Brown and Company for $750,000, an unusually high amount for a first time author.[21] Meyer's literary agent, Jodi Reamer of Writers House, discovered her only because the inexperienced assistant who received Meyer's original letter did not know that young adult books are supposed to be 40,000 to 60,000 words in length, not 130,000 words.[22] Megan Tingley, the Little, Brown editor who signed Meyer, said that halfway through the reading of the Twilight manuscript, she realized that she had a future bestseller in her hands.[23] The book was released in 2005.
Following the success of Twilight, Meyer expanded the story into a series with three more books: New Moon (2006), Eclipse (2007), and Breaking Dawn (2008). In its first week after publication, the first sequel, New Moon, debuted at #5 on the New York Times Best Seller List for Children's Chapter Books, and in its second week rose to the #1 position, where it remained for the next eleven weeks. In total, it spent over 50 weeks on the list.[24] After the release of Eclipse, the first three 'Twilight' books spent a combined 143 weeks on the New York Times Best Seller List.[18] The fourth installment of the Twilight series, Breaking Dawn, was released with an initial print run of 3.7 million copies.[25] Over 1.3 million copies were sold on the first day alone, setting a record in first-day sales performance for the Hachette Book Group USA.[26] Upon the completion of the fourth entry in the series, Meyer indicated that Breaking Dawn would be the final novel to be told from Bella Swan's perspective.[27] In 2008 and 2009, the four books of the series claimed the top four spots on USA Today's year-end bestseller list, making Meyer the first author to ever achieve this feat.[28][29] The series then won the 2009 Kids' Choice Award for Favorite Book, where it competed against the Harry Potter series.[4]
Other books
Midnight Sun
Meyer originally planned to write a companion book to Twilight called Midnight Sun, which would be the story of Twilight told from Edward Cullen's point-of-view. She stated that Twilight was the only book that she planned to rewrite from Edward's perspective.[30] However, a rough draft of Midnight Sun's first twelve chapters was leaked on the internet. Meyer has since put these twelve chapters on her website so that her fans could read them for free,[31] but has put the project on hold indefinitely due to her feelings about the situation. She stated,
If I tried to write Midnight Sun now, in my current frame of mind, James would probably win and all the Cullens would die, which wouldn't dovetail too well with the original story. In any case, I feel too sad about what has happened to continue working on Midnight Sun, and so it is on hold indefinitely.[32]
Though she has no current plans to do so, Meyer has also stated that if she were to continue writing in the same universe she would write from the perspective of either Leah Clearwater or Bella and Edward's daughter, Renesmee Cullen.[33]
Graphic novels
On March 16, 2010 Yen Press released Twilight: The Graphic Novel, Vol. 1, by artist Young Kim based on the first book in the series.[34] In February 2011, the graphic novel won the 2010 Gem Awards Best Manga of the Year.[35] The sequel, Twilight: The Graphic Novel, Vol. 2 was released on October 11, 2011[36] and followed Volume 1 in topping The New York Times Best Seller list for Hardcover Graphic Books in its first week.[37] On March 30, 2010, Meyer revealed on her official website that she will be releasing a new novella in the series, The Short Second Life of Bree Tanner, which tells the story of a newborn vampire who appeared in Eclipse, on June 5, 2010.[1] An electronic version of the book was made available free from her web site, as well as in bookstores.[38]
Companions
On October 5, 2010, Little, Brown and Company announced that The Twilight Saga: The Official Illustrated Guide, a definitive encyclopedic reference for the saga including character profiles, outtakes, a conversation with Meyer, genealogical charts, maps and extensive cross-references with nearly 100 full color illustrations, was to be released on April 12, 2011, after many publication delays since 2008.[39] It debuted at #1 on The New York Times Best Seller list, where it stayed for three consecutive weeks,[40][41][42] and at #4 on the USA Today Best Seller list.[43]
Life and Death
On October 6, 2015, Little, Brown and Company released the Twilight Tenth Anniversary/Life and Death Dual Edition, which includes a nearly-400 page reimagining of the novel with Edward and Bella gender-swapped as Edythe and Beau. The reimagined novel has a more conclusive ending, seemingly precluding its continuation through the remaining three Twilight novels.[44]
Reception
The response to Twilight has been mixed. While the books have become immensely popular, they have also generated much controversy.
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Positive reception
Twilight has gathered acclaim for its popularity with its target readers. The Times lauded it for capturing 'perfectly the teenage feeling of sexual tension and alienation.'[45] Other reviews described Twilight as an 'exquisite fantasy',[46] and a 'gripping blend of romance and horror'.[47]Lev Grossman of Time wrote that the books have a 'pillowy quality distinctly reminiscent of Internet fan fiction', but still praised the series, comparing it to The Lord of the Rings and Harry Potter:
People do not want to just read Meyer's books; they want to climb inside them and live there.. There's no literary term for the quality Twilight and Harry Potter (and The Lord of the Rings) share, but you know it when you see it: their worlds have a freestanding internal integrity that makes you feel as if you should be able to buy real estate there.[18]
The Seattle Post-Intelligencer called the book a 'hot new teen novel',[48]Entertainment Weekly called Meyer 'the world's most popular vampire novelist since Anne Rice',[49]The New York Times described Twilight as a 'literary phenomenon',[50] and Matt Arado of Daily Herald noted that the Twilight books have become the 'hottest publishing phenomenon since a certain bespectacled wizard cast his spell on the world.'[51] The large and diverse online fan community of the series are often noted, sometimes even being called 'cult-like'.[52] Despite this, the series is often considered to have a wider appeal; Crystal Mack of Daily Herald said, 'While teenage girls are the main audience, young boys and adults of both genders have also been swept up in the phenomenon.'[53]
The author and the series' popularity are often compared with J. K. Rowling and Harry Potter.[18][54] Describing the fan following of the books, the Phoenix New Times wrote, 'Meyer's fandom is reminiscent of Harry Potter mania.'[23]The Daily Telegraph described Twilight as the 'spiritual successor to Harry Potter'.[55] Rebekah Bradford of The Post and Courier stated that the series has a 'huge crossover appeal much like the Harry Potter books before them.'[56] According to the Daily Telegraph, 'Stephenie Meyer, in particular, has achieved incredible success across all the English-speaking nations and Europe and many will say that her Twilight series has filled the hole left by Harry Potter.'[57] Meyer has responded to such comparisons, saying, 'It's terribly flattering to be compared to her, but there's never going to be another J. K. Rowling; that's a phenomenon that's not gonna happen again', however noting that 'you can compare my fans to her fans more easily [than me to her]. I do think that we both have people who are just really really enthusiastic, and will come miles to see you and be involved, and everybody really cares about our characters.'[58]
Economically, the town of Forks, Washington, the setting for the Twilight series, has improved due to tourism from fans of the books.[59] Forks is visited by an average of 8,000 tourists per month,[60] and has been described as a 'mecca for Twilighters'.[61] In response to plans for the aging Forks High School to be renovated, Twilight fans have teamed up with Infinite Jewelry Co. and the West Olympic Peninsula Betterment Association to collect donations in an attempt to save the brick appearance or the building altogether.[62]
Negative reception
The series has garnered some notoriety both over its literary substance and over the type of relationship portrayed in the books.
Many have derided the series as poor writing. While comparing Stephenie Meyer to J. K. Rowling, Stephen King said, 'the real difference [between Rowling and Meyer] is that Jo Rowling is a terrific writer, and Stephenie Meyer can't write worth a darn. She's not very good.'[63][64] However, King understood the appeal of the series, adding, 'People are attracted by the stories, by the pace and in the case of Stephenie Meyer, it's very clear that she's writing to a whole generation of girls and opening up kind of a safe joining of love and sex in those books. It's exciting and it's thrilling and it's not particularly threatening because it's not overtly sexual.'[64]
A quote from Robin Browne (though frequently misattributed to King or Andrew Futral)[65] negatively compares the Twilight and Harry Potter book series: 'Harry Potter is about confronting fears, finding inner strength and doing what is right in the face of adversity… Twilight is about how important it is to have a boyfriend'.[66]
Laura Miller of Salon.com wrote that 'the characters, such as they are, are stripped down to a minimum, lacking the texture and idiosyncrasies of actual people', and said that 'Twilight would be a lot more persuasive as an argument that an 'amazing heart' counts for more than appearances if it didn't harp so incessantly on Edward's superficial splendors.'[67]
Elizabeth Hand of The Washington Post wrote, 'Meyer's prose seldom rises above the serviceable, and the plotting is leaden.'[68] The article, featured on the Yahoo! website Shine, also criticized the books and the author's final word on the series was, 'Good books deal with themes of longing and loneliness, sexual passion and human frailty, alienation and fear just as the Twilight books do. But they do so by engaging us with complexities of feeling and subtleties of character, expressed in language that rises above banal mediocrity. Their reward is something more than just an escape into banal mediocrity. We deserve something better to get hooked on.'[69][70]
Controversy
The books have also been widely critiqued as promoting, normalizing, and idealizing an emotionally and physically abusive relationship. Sci-fi website io9 noted that Bella and Edward's relationship meets all fifteen criteria set by the National Domestic Violence Hotline for being in an abusive relationship.[71] L. Lee Butler of Young Adult Library Services Association commented how he was unusually hesitant to stock the Twilight books in his library because he felt the books were 'robbing [teen girls] of agency and normalizing stalking and abusive behavior.'[72] Many female-oriented and feminist media outlets, like Jezebel,[73] The Frisky,[74] and Salon.com have decried Twilight as promoting an anti-woman message.[75]Bitch magazine stated the novels 'had created a new, popular genre of 'abstinence porn', concluding that, 'In reality, the abstinence message—wrapped in the genre of abstinence porn—objectifies Bella in the same ways that 'real' porn might. The Twilight books conflate Bella losing her virginity with the loss of other things, including her sense of self and her very life. Such a high-stakes treatment of abstinence reinforces the idea that Bella is powerless, an object, a fact that is highlighted when we get to the sex scenes in Breaking Dawn.'[76]Ms. declared that Twilight promotes a physically abusive relationship and an anti-abortion message.[77] However, writer Angela Aleiss of Religion News Service said that contrary to popular opinion, Mormons do permit abortion when the mother's life is in danger. Bella's refusal to abort her fetus, along with her quick marriage and pregnancy, instead underscore the Mormon emphasis on family.[78]
Various psychology experts have come out in agreement with the assessment of the relationship as abusive.[79] Melissa Henson, Director of communication and public education for the Parents Television Council, stated:
To impressionable teens, domestic violence is almost romanticized. We’ve made great strides in recent years in clearly communicating the message that is never okay to hit a woman..Today, the hidden message in the entertainment consumed by many impressionable teens is that if he hits you, it is out of love – which is absolutely wrong.[80]
Many entertainment and media outlets have made similar comments on the abusive nature of Bella and Edward's relationship, including Entertainment Weekly,[81]Movieline,[82] and Mediabistro.com.[83]
Meyer has dismissed such criticisms, arguing both that the books center around Bella's choice, which she perceives as the foundation of modern feminism, and that Bella's damsel in distress persona is due only to her humanity.[84] Meyer also added, 'Just because [Bella] doesn't do kung fu and she cooks for her father doesn't make her worthy of that criticism'.[85] Shannon Simcox of The Daily Collegian has similarly dismissed the criticism surrounding Bella, commenting, 'While Bella plays the perfect damsel in distress that gets herself into sticky situations, she is also very in control of herself. She chose to move to Forks and be in a new place; she constantly faces a bunch of people who want to suck the life right out of her, and she is constantly pleading to become a vampire, too, so she can take care of herself and Edward.'[86]
Legal issues
In December 2010, professional singer Matthew Smith, known as Matt Heart, sued Summit Entertainment in the case Smith v. Summit Entertainment LLC. Smith's song 'Eternal Knight' was posted on several websites accompanied by cover art which Summit claimed used its 'Twilight' typeface mark. Smith won four of the seven causes of action, including his right to continue distribution of his copyrighted song, under the terms that he remove any reference to 'Twilight' or the 'Twilight Saga'.[87]
Book challenges
The Twilight series made the number five spot on the American Library Association's (ALA) Top Ten List of the Most Frequently Challenged Books of 2009, for being 'Sexually Explicit', 'Unsuited to Age Group', and having a 'Religious Viewpoint'.[88]
Film adaptations
A screenplay for Twilight was written by Melissa Rosenberg and has been adapted into a film by Summit Entertainment. The film was directed by Catherine Hardwicke, with Kristen Stewart and Robert Pattinson in the leading roles of Isabella Swan and Edward Cullen, respectively. The movie was released in the United States on November 21, 2008.[89]Twilight: The Complete Illustrated Movie Companion, written by Mark Cotta Vaz, was released October 28.[90]
On November 22, 2008, following the box office success of Twilight, Summit Entertainment confirmed a sequel, called The Twilight Saga: New Moon, based on the second book in the series, New Moon.[91] The film was released on November 20, 2009. The Twilight Saga: New Moon was released on DVD and Blu-ray on March 20, 2010 through midnight release parties.[92] That same day, Summit Entertainment released Twilight in Forks, a documentary about the primary setting of the Twilight series, Forks, Washington.[93] Topics Entertainment released its own documentary about Forks and the Twilight series on March 16, called Forks: Bitten by Twilight.[94]
The third installment in the series, The Twilight Saga: Eclipse, was released on June 30, 2010.[95][96] The fourth installment, The Twilight Saga: Breaking Dawn – Part 1 was released November 18, 2011, And the fifth and last installment, The Twilight Saga: Breaking Dawn – Part 2 was released November 16, 2012.[97]
Conventions
While the Twilight series has been a visible presence in many conventions such as ComicCon, there have also been many conventions whose main focus has been on the Twilight series (books and films). Some notable conventions have been Twicon and a series of 'Official Twilight Conventions' that are being held by Creation Entertainment.[98]
See also
References
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External links
Wikimedia Commons has media related to Twilight series. |
Directed by
Catherine Hardwicke |
Writing Credits(WGA)
Melissa Rosenberg | .. | (screenplay) |
Stephenie Meyer | .. | (novel) |
Cast (in credits order) verified as complete
Kristen Stewart | .. | Bella Swan | |
Sarah Clarke | .. | Renée | |
Matt Bushell | .. | Phil | |
Billy Burke | .. | Charlie Swan | |
Gil Birmingham | .. | Billy Black | |
Taylor Lautner | .. | Jacob Black | |
Gregory Tyree Boyce | .. | Tyler | |
Justin Chon | .. | Eric | |
Michael Welch | .. | Mike Newton | |
Anna Kendrick | .. | Jessica | |
Christian Serratos | .. | Angela | |
Nikki Reed | .. | Rosalie | |
Kellan Lutz | .. | Emmet Cullen | |
Ashley Greene | .. | Alice Cullen | |
Jackson Rathbone | .. | Jasper | |
Robert Pattinson | .. | Edward Cullen | |
José Zúñiga | .. | Mr. Molina (as Jose Zuniga) | |
Trish Egan | .. | High School Administrator | |
Ayanna Berkshire | .. | Cora | |
Ned Bellamy | .. | Waylon Forge | |
Bryce Flint-Sommerville | .. | Mine Security Guard | |
Peter Facinelli | .. | Dr. Carlisle Cullen | |
Solomon Trimble | .. | Jacob's Friend | |
Rachelle Lefevre | .. | Victoria | |
Cam Gigandet | .. | James | |
Edi Gathegi | .. | Laurent | |
Alexander Mendeluk | .. | Frat Boy | |
Hunter Jackson | .. | Frat Boy | |
Gavin Bristol | .. | Frat Boy | |
Sean McGrath | .. | Frat Boy | |
Katie Powers | .. | Waitress | |
Elizabeth Reaser | .. | Esme Cullen | |
Catherine Grimme | .. | Young Bella | |
Rest of cast listed alphabetically: | |||
Humberto Amor | .. | Jacob in Spanish (uncredited) | |
William Joseph Elk III | .. | Native Wolf Pack Member #2 (uncredited) | |
Victoria Geil | .. | 1920's Vampire Victim (uncredited) | |
Kristopher Hyatt | .. | Embry Call (uncredited) | |
Stephenie Meyer | .. | Diner Customer (uncredited) | |
Rick Mora | .. | Native Werewolf Tribe #1 - Flashback Sequence (uncredited) | |
Rana Morrison | .. | Patron in Restaurant (uncredited) | |
Tyler Nordby | .. | Biology Class Student (uncredited) | |
Trip Ross | .. | Coffee Shop Guy (uncredited) | |
Edward Stiner | .. | Man in Cafe (uncredited) | |
Josh Turner | .. | Towns Person (uncredited) | |
Maggie-Jo Turner | .. | Volleyball player (uncredited) | |
Robert Zorn | .. | Logger (uncredited) |
Produced by
Marty Bowen | .. | executive producer |
Wyck Godfrey | .. | producer |
Michele Imperato | .. | executive producer (as Michele Imperato Stabile) |
Jamie Marshall | .. | co-producer |
Greg Mooradian | .. | producer |
Mark Morgan | .. | producer |
Guy Oseary | .. | executive producer |
Karen Rosenfelt | .. | executive producer |
Patrick Sanchez Smith | .. | associate producer (as Patrick Thomas Smith) |
Music by
Carter Burwell |
Cinematography by
Elliot Davis | .. | director of photography |
Film Editing by
Nancy Richardson |
Casting By
Deborah Aquila |
Tricia Wood |
Art Direction by
Christopher Brown | .. | (as Christopher L. Brown) |
Ian Phillips |
Set Decoration by
Gene Serdena |
Costume Design by
Wendy Chuck |
Makeup Department
Trish Almeida | .. | key hair stylist: second unit |
Rose Barclay | .. | additional hair stylist |
Catherine Childers | .. | additional hair stylist |
Laura Connolly | .. | additional hair stylist |
Bridget Cook | .. | key hair stylist: additional photography (as Bridgette Cook) |
Molly Craytor | .. | makeup artist (as Molly Crator) |
Nicole DeFrancesco | .. | hair stylist (as Nicole Frank) |
Stephanie Fajardo | .. | assistant hair stylist |
Stuart Gavert | .. | hair colorist: additional photography |
Stephanie June Johnson | .. | additional makeup artist: second unit (as Stephanie Johnson) |
Rolf John Keppler | .. | makeup artist (as Rolf Keppler) |
Raj Mariathason | .. | special makeup effects lab technician |
Cristina Patterson | .. | special effects contact lenses (as Cristina Patterson Ceret) |
Elizabeth Rabe | .. | additional hair stylist |
Susan Sittko Schaefer | .. | hair stylist |
Robin Schmitt | .. | assistant makeup artist |
Crystal Shade | .. | makeup artist: second unit |
Richard L. Silver | .. | special effects contact lenses (as Dr. Richard Silver) |
Stacey Sumner | .. | special effects contact lenses (as Dr. Stacey Sumner) |
Mary Ann Valdes | .. | hair designer / key hair stylist |
Jeanne Van Phue | .. | key makeup artist |
Amanda Williams | .. | additional hair stylist: second unit (as Amanda M. Williams) |
Production Management
Craig Cannold | .. | production supervisor |
Mary Courtney | .. | unit production manager: second unit |
Michele Imperato | .. | unit production manager (as Michele Imperato Stabile) |
Andrea Isaacs | .. | executive in charge of production |
Angel Pine | .. | post-production supervisor |
Robert West | .. | production supervisor: additional photography |
Second Unit Director or Assistant Director
Deon Boyce | .. | additional assistant director |
Ryan Chang | .. | second assistant director: second unit |
Andy Cheng | .. | second unit director |
Thomas Coe | .. | second assistant director (as Thomas D. Coe) |
Ryan Craig | .. | second assistant director: second unit |
Greg Hale | .. | second assistant director (as Gregory G. Hale) |
Jamie Marshall | .. | first assistant director |
Lynne Martin | .. | second second assistant director |
John M. Morse | .. | second assistant director: additional photography |
Justin Muller | .. | first assistant director: additional photography |
Kristen Ploucha | .. | second assistant director: second unit |
Michael Viglietta | .. | first assistant director: second unit (as Michael S. Viglietta) |
Thomas Robinson Harper | .. | second unit director: reshoots (uncredited) |
Art Department
Chris Barnes | .. | lead painter |
Daniel Bates | .. | painter (as Dan Bates) |
Jonathan Birchfield | .. | greens foreperson (as Jonathan Birchfeld) |
Philip Blackburn | .. | set dresser (as Phil Blackburn) |
Camille M. Bratkowski | .. | set designer (as Camille Bratkowski) |
Bill Burkhert Jr. | .. | propmaker |
Jon Bush | .. | art department coordinator |
Charles A. Carlsen | .. | key greens foreperson (as Charles Carlsen) |
Christopher Carlsen | .. | greensperson (as Chris Carlsen) |
Garret Christensen | .. | set decoration assistant |
Brady J. Condit | .. | set dresser (as Brady Condit) |
Shawn Copley | .. | plasterer |
Grant Cotterall | .. | lead carpenter |
Paul Cowsill | .. | on-set greens: second unit |
Tim Croshaw | .. | set designer |
Levi Cummings | .. | lead plaster |
Chad R. Davis | .. | on-set dresser (as Chad Davis) |
Michael Deal | .. | set decorator: additional photography |
Ken Erck | .. | painter / stand-by painter: second unit |
Alan Feffer | .. | gang boss |
Peter Frantz | .. | propmaker (as Peter A. Frantz) |
Jenelle Giordano | .. | set dresser (as Jenelle Giorano) |
Trevor Goring | .. | senior illustrator |
Ray Hayden | .. | gang boss |
Bill Holmquist | .. | construction coordinator: additional photography |
Philip C. Hurst | .. | greens coordinator: additional photography |
Billy Iiams Jr. | .. | construction foreman / general foreman |
Adam Johnson | .. | set dresser |
Thomas V. Johnson | .. | lead scenic: additional photography |
Bree Judah | .. | painter |
Philip Keller | .. | storyboard artist (as Phil Keller) |
Ellen Lampl | .. | graphic designer |
Kami Laprade | .. | assistant property master (as Kami R. Laprade) |
Ronald 'Krobar' Lawler | .. | buyer (as Ron 'Krobar' Lawler) |
Ellen Lepinski | .. | paint gang boss |
Ray Lovasz | .. | propmaker (as Raymond Lovatz) |
Bao-Uy Luu | .. | illustrator: PIC (as Bao Luu) |
Curtis Mathewson | .. | propmaker (as Curtis Hall Mathewson) |
Greg McMickle | .. | props: second unit |
Mike Medina | .. | construction coordinator: additional photography |
Bekka Melino | .. | set dresser (as Rebecca Melino) |
Charles Miller | .. | gang boss |
Cynthia Nibler | .. | property master |
Greg O'Donohue | .. | swing: additional photography |
John Pearson-Denning | .. | property assistant (as John Pearson Denning) |
Lars Petersen | .. | construction coordinator |
Allyson Peterson | .. | art department assistant (as Allyson Marquering-Peterson) |
Beth Peterson | .. | painter |
Renee Prince | .. | stand-by painter |
Joe Rynearson | .. | set dresser |
Steve Saklad | .. | art director: additional photography |
Grant Samson | .. | leadperson |
Carly Sertic | .. | graphics |
Ryan Warren Smith | .. | on-set dresser: second unit (as Ryan Smith) |
Shanna Starzyk | .. | art director: second unit |
Robert Stover | .. | buyer |
John L. Sullivan | .. | construction foreperson (as John Sullivan) |
Mark Tomlinson | .. | prop maker |
Brad Turner | .. | property assistant |
Rena Van Steele | .. | stand by painter |
Mark Vena | .. | storyboard artist (as Marc Vena) |
Chandler Vinar | .. | gang boss |
Michael Voelker | .. | props |
Steven C. Voll | .. | construction general foreperson (as Steve Voll) |
Bob Warner | .. | lead painter |
Harold 'Willy' Wilson | .. | greensperson (as Harold 'Willie' Wilson) |
J.D. Woods | .. | art department coordinator: additional photography |
Nick Worsfold | .. | on-set greens foreperson |
Gordon Bellamy | .. | prop manufacturing: tEAG Ltd. (uncredited) |
Darrin Clubb | .. | foreman: reshoots (uncredited) |
Paul Cowsill | .. | plasterer (uncredited) |
Carmine Goglia | .. | stand-by painter (uncredited) |
Jason Hildner | .. | greensman (uncredited) |
Jim Krase | .. | foreman: reshoots (uncredited) |
Rick Lepinski | .. | construction utility (uncredited) |
Michael Earl Menlow | .. | carpenter (uncredited) |
Charles Miller | .. | prop gang boss (uncredited) |
Steve Patterson | .. | propmaker (uncredited) |
Sound Department
Wade Barnett | .. | adr recordist |
Steve Blazewick | .. | sound utility |
Thomas Brandau | .. | sound mixer: Los Angeles |
Richard Bullock Jr. | .. | boom operator (as Richard Bullock) |
Paul Timothy Carden | .. | adr supervisor |
Rickley W. Dumm | .. | sound effects editor (as Rickley Dumm) |
John Evans | .. | boom operator |
Frank Gaeta | .. | re-recording mixer / sound designer / supervising sound editor |
Marshall Garlington | .. | re-recording mixer |
Patrick Giraudi | .. | foley editor |
David Grant | .. | dialogue editor |
Catherine Harper | .. | foley artist |
Joe Iemola | .. | assistant sound editor |
Travis MacKay | .. | adr recordist |
David MacMillan | .. | production sound mixer: additional photography |
Darrin Mann | .. | foley mixer |
Glenn Micallef | .. | sound mixer |
Christopher Moriana | .. | foley artist (as Chris Moriana) |
Jordan O'Neill | .. | dts sound mastering engineer |
Sarah Payan | .. | dialogue editor |
Gabriel J. Serrano | .. | mix recordist |
Leslie Shatz | .. | re-recording mixer |
Greg Steele | .. | adr mixer |
Roland N. Thai | .. | sound effects editor (as Roland Thai) |
Eric Thompson | .. | adr mixer |
Greg Zimmerman | .. | adr recordist |
Special Effects by
William Boggs | .. | special effects technician |
Chris Brenczewski | .. | special effects foreperson |
Lawrence Decker | .. | special effects foreperson: second unit (as Lawrence 'Quasi' Decker) |
Scott Dwyer | .. | special effects technician |
Jeff Elliott | .. | special effects gang boss (as Jeff 'Modo' Elliot) |
Scott R. Fisher | .. | special effects coordinator: additional photography (as Scott Fisher) |
Donald Honeywill | .. | special effects technician |
Michael Kay | .. | special effects foreperson (as Michael Kaye) |
Dean G. Roberts | .. | special effects tech (as Dean Roberts) |
Andy Weder | .. | special effects coordinator |
Visual Effects by
Jeremy Agamata | .. | pre-visualization artist |
Simon Ager | .. | digital effects artist |
Jon Alexander | .. | digital artist: ILM |
Lee Allan | .. | compositor: CIS Vancouver (as Allan Lee) |
Casey Allen | .. | senior flame artist |
Juan Pablo Allgier | .. | compositor: CIS Vancouver |
Graeme Baitz | .. | roto artist: CIS Vancouver |
Jerome Bakum | .. | visual effects editor: ILM |
Romain Bayle | .. | visual effects art director: CIS Vancouver |
Davina Bilow | .. | digital compositor: Rez-Illusion (as Davina R. Bilow) |
Madalina Bland | .. | digital compositor: Rez-Illusion |
Josh Bolin | .. | compositor: PIC |
Mike Borgstrom | .. | cg artist: CIS Vancouver |
Guy Botham | .. | visual effects executive producer: Lola Visual Effects |
Grant Bowen | .. | systems administrator: CIS Vancouver |
Justin Brekke | .. | data management: CIS Vancouver |
Daniel Brimer | .. | visual effects producer: Rez-Illusion |
Randy Brown | .. | compositor: CIS Hollywood |
Shauna Bryan | .. | executive producer: CIS Vancouver |
Elika Burns | .. | roto/paint supervisor: CIS Hollywood |
Daniel Cairnie | .. | compositor: CIS Vancouver |
John Cairns | .. | compositor: CIS Vancouver |
Mark Casey | .. | compositing supervisor: ILM |
Alan Chuck | .. | visual effects line producer: CIS Vancouver |
Trent Claus | .. | flame artist |
Sarah Coatts | .. | main title producer: PIC |
Brian Conlan | .. | compositor: PIC |
Brian Conlon | .. | digital effects artist |
Michael Dean Connolly | .. | visual effects production assistant: Rez-Illusion |
Martyn 'Moose' Culpitt | .. | compositor: CIS Vancouver (as Martyn Culpitt) |
Joe De Michelis | .. | systems administrator: CIS Vancouver |
Michelle Dean | .. | digital artist: ILM |
Kristin Dearholt | .. | digital production manager: CIS Vancouver |
Yoshi DeHerrera | .. | visual effects artist: 3D scanning & modeling |
Nathan Dinihanian | .. | visual effects assistant: second unit |
Jason Dowdeswell | .. | digital production supervisor: CIS Vancouver |
David Drzewiecki | .. | additional visual effects supervisor |
Steve Dubin | .. | visual effects producer |
Ryan Dutour | .. | compositor: CIS Vancouver |
Moritz Eiche | .. | compositing supervisor: CIS Vancouver |
Nicholas Elwell | .. | visual effects coordinator |
Sebastian Feldman | .. | digital artist: ILM |
Peter Fiala | .. | previs artist |
Brandon Flyte | .. | digital compositor |
Chad L. Fox | .. | cg artist: CIS Vancouver (as Chad Fox) |
Fortunato Frattasio | .. | digital effects supervisor: Wildfire VFX |
Larry Gaynor | .. | senior paint and roto: CIS Hollywood |
Bill George | .. | visual effects supervisor: ILM |
Jamison Scott Goei | .. | visual effects supervisor: Rez-Illusion |
Jeremy Goldman | .. | cg supervisor: ILM |
Marissa Gomes | .. | production coordinator: ILM |
Bryant Terrell Griffin | .. | digital artist: ILM (as Bryant Griffin) |
Geoffrey Hancock | .. | digital effects supervisor: CIS Vancouver |
Zane Harker | .. | digital effects colorist: CIS Vancouver |
Peter Hart | .. | matchmove artist: CIS Vancouver |
Heather Elisa Hill | .. | visual effects project manager: CIS Hollywood |
Laura Hitchcock | .. | compositor: CIS Vancouver (as Laura Fremmerlid) |
Dennis Hoffman | .. | head of production: CIS Vancouver |
Petra Holtorf | .. | visual effects producer (as Petra Holtorf-Stratton) |
Chris Hopkins | .. | 3D visual effects artist / digital compositor: Rez-Illusion |
Jill E. Hughes | .. | production manager: ILM |
Chris Ingersoll | .. | flame artist |
Patrick Kavanaugh | .. | visual effects supervisor: CIS Hollywood |
Richard Kidd | .. | visual effects supervisor |
Perry M. Kimura | .. | scanning and recording |
Jeanmarie King | .. | visual effects producer: ILM (as Jeanie King) |
Alex Klaue | .. | vfx |
Ronald Knol | .. | systems administrator: CIS Vancouver |
Maggie Kraisamutr | .. | digital compositor: Rez-Illusion |
Robin Lee | .. | systems administrator: CIS Vancouver |
Louis Leung | .. | cg artist: CIS Vancouver |
Justin Liebregts | .. | animator |
Deanna Louie | .. | bidding coordinator |
Bob Lyss | .. | compositor: CIS Hollywood |
Mark Maccora | .. | digital compositor: Rez-Illusion |
Michael MacGillivray | .. | visual effects editor: CIS Vancouver |
Harrison Marks | .. | visual effects coordinator |
Wolfgang Maschin | .. | compositing supervisor: Catalyst Media |
Riley McDougall | .. | data management: CIS Vancouver |
Brian McGraw | .. | media operations: ILM |
Tom McHattie | .. | compositor: CIS Vancouver |
Melanie Miller | .. | visual effects coordinator: Rez-Illusion (as Melanie Miller) |
Thomas Nittmann | .. | visual effects producer: Lola Visual Effects |
Reika Nixon | .. | data management: CIS Vancouver (as Reika Nishio) |
Sam Nixon | .. | matchmove artist: CIS Vancouver |
Brian Nugent | .. | flame artist |
Julie Orosz | .. | visual effects producer: CIS Hollywood |
Jinnie Pak | .. | visual effects producer: CIS Vancouver |
Earl Paraszczynec | .. | cg artist: CIS Vancouver |
Sookie Park | .. | digital compositor: Rez-Illusion |
Mario Peixoto | .. | compositor: CIS Vancouver |
Mike Pekala | .. | digital artist: Catalyst Media |
Christine Petrov | .. | head of 2D: CIS Vancouver |
Chi Pham | .. | systems administrator: CIS Vancouver |
Mario Pochat | .. | cg artist: CIS Vancouver |
Ricardo Quintero | .. | compositor: CIS Vancouver |
Lara Ramirez | .. | visual effects editor |
Lauren Ritchie | .. | visual effects producer: Wildfire VFX |
Michael Roderick | .. | digital compositor |
Thomas Rosseter | .. | compositor: CIS Vancouver (as Tom Rosseter) |
Chris Ryan | .. | cg supervisor: CIS Hollywood |
Heather MacPhee Ryan | .. | paint and rotoscope artist: CIS Hollywood (as Heather MacPhee) |
Christian Severin | .. | digital artist: Catalyst Media |
Drew Shields | .. | previs artist: CIS |
Raena Singh | .. | visual effects producer: Catalyst Media |
Karl Sisson | .. | digital effect artist: CIS Vancouver |
Dereck Sonnenburg | .. | assistant visual effects supervisor |
Jim Soukup | .. | digital artist: ILM |
Geordie Spradling | .. | paint & rotoscoping artist: CIS Hollywood |
Joe Woodward Stevenson | .. | digital artist: ILM (as Joe Stevenson) |
Kevin Struckman | .. | compositor: CIS Vancouver |
Tammy Sutton | .. | paint/wire removal |
Ahren Thomas | .. | digital compositor: Rez-Illusion |
Enrique Torres | .. | pre-visualization artist |
Curtis Tsai | .. | data management: CIS Vancouver |
Luke Vallee | .. | digital compositor |
Michael Van Eps | .. | digital artist: ILM |
Sean Wallitsch | .. | flame artist |
Jessica Wan | .. | roto artist: CIS Vancouver |
Talmage Watson | .. | digital artist: ILM |
Edson Williams | .. | visual effects supervisor: lola visual effects |
Steve Won | .. | visual effects coordinator: CIS Vancouver |
Noel Wright | .. | compositor: CIS Vancouver |
Johan Yang | .. | animator: Rainmaker |
Ryan Zuttermeister | .. | associate visual effects producer: Lola Visual Effects |
Matt Ashton | .. | senior systems: CIS Hollywood (uncredited) |
Donald Fly | .. | general manager: CIS Group (uncredited) |
Brian Holmes | .. | systems engineer: CIS Hollywood (uncredited) |
Goran Kocov | .. | matchmove coordinator (uncredited) |
Katie Miller | .. | production assistant: CIS Hollywood (uncredited) |
Stunts
Jerry T. Adams | .. | stunt performer (as Jerry Adams) |
Helena Barrett | .. | stunt performer |
Kelly Bellini | .. | stunt performer |
Kevin Chase | .. | stunt performer |
Andy Cheng | .. | stunt coordinator |
Jennifer Cobb | .. | stunt performer |
Paul Darnell | .. | stunt double: Robert Pattinson |
Matt Davis | .. | stunt performer |
Greg Dela Riva | .. | stunt performer (as Greg De La Riva) |
Danny Downey | .. | stunt performer |
Seth Duhame | .. | stunt performer |
Timothy Eulich | .. | stunt performer |
Colin Follenweider | .. | stunt performer |
Mitch Gould | .. | stunt performer (as Mitchell Gould) |
Charles Grisham | .. | stunt performer |
Thomas Robinson Harper | .. | stunt coordinator: additional photography (as Tom Harper) |
Alessandra Hayden | .. | stand-in: woman |
Tim Henderson | .. | stunt performer (as Timothy Henderson) |
Zac Henry | .. | stunt performer / stunt rigger |
Michael Hilow | .. | stunt performer |
Brian Hite | .. | stunt performer |
Karin Justman | .. | stunt performer |
Jim Karn | .. | stunt performer |
Shawn Kautz | .. | stunts |
Brad Kelly | .. | stunts |
Samuel Le | .. | assistant stunt coordinator (as Xuyen 'Sammy' Valdivia) |
Bob MacDougall | .. | stunt performer (as Bob McDougall) |
Johnny Martin | .. | stunt double / stunt performer |
Doug O'Dell II | .. | stunt performer (as Doug O'Dell) |
David Paris | .. | stunt performer |
Jade Quon | .. | stunts |
Alice Rietveld | .. | core stunt steam / core stunt team / stunt double: Ashley Greene and Kristen Stewart |
Mike Snyder | .. | stunt performer |
Alex Terzieff | .. | stunt performer |
Maggie-Jo Turner | .. | stunts |
Rich Volp | .. | stunt performer |
Tim Wagner | .. | stunt performer |
Logan Welch | .. | stunt performer |
Helena Barrett | .. | stunt double: Kristen Stewart (uncredited) |
Kevin Chase | .. | stunt rigger (uncredited) |
Jennifer Cobb | .. | stunt double: Rachelle Lefevre (uncredited) |
Danny Downey | .. | stunt double: Jackson Rathbone (uncredited) |
Art Hickman | .. | stunt driver (uncredited) |
Pat Romano | .. | stunt rigger (uncredited) |
Camera and Electrical Department
John Banholzer | .. | grip: second unit |
Andy Barden | .. | electrician |
Brian Bartolini | .. | gaffer: additional photography |
George Billinger III | .. | steadicam operator (as George Billinger) |
Noah Bishop | .. | technocrane operator |
Matthew C. Blea | .. | second assistant camera: 'a' camera, second unit (as Mat Blea) |
J.A. Byerly | .. | rigging gaffer: LA |
Chris 'Chalky' Chalk | .. | best boy rigging electrician |
Kyril Cvetkov | .. | Assistant Camera |
Harry Dawson | .. | camera operator: 'b' camera, second unit |
Kelly Diehl | .. | libra mount technician |
Shawn Duchscherer | .. | key rigging gaffer |
Caz Duffy | .. | second assistant camera: 'a' camera |
Charles Ehrlinger | .. | grip |
Paul Fanning | .. | electrician (as Paul 'The Wog' Fanning) |
Brian Fleskes | .. | best boy rigging grip |
Bruce 'Sarge' Fleskes | .. | gaffer: second unit |
Desera Frentress | .. | rigging electrician |
David Galbraith | .. | first assistant camera: 'a' camera |
Andrew Gallegos | .. | set lighting technician: second unit |
Jason Garcia | .. | first assistant camera: additional photography |
James J. Gilson | .. | gaffer (as James Gilson) |
Nate Goodman | .. | second assistant camera: 'b' camera |
Peter Graf | .. | aerial camera system tech super g |
Jeff Graham | .. | first assistant camera: additional photography |
Cory Gunter | .. | second assistant camera: Additional Unit |
Mike Hanauska | .. | grip: second unit |
Josh Hancher | .. | first assistant camera |
Bruce Henderson | .. | rigging grip |
Jason Hibarger | .. | libra head technician: second unit |
Anna Rose Holmer | .. | camera department assistant (as Anna Farrell) |
Steve Hubert | .. | electrician |
Chip Ingram | .. | grip: second unit (as Barry 'Chip' Ingram) |
Tim Jankowski | .. | electrician |
Kale Jessen | .. | video assist |
Jeffrey A. Johnson | .. | best boy grip (as Jeffrey 'JJ' Johnson) |
Michael Kelem | .. | aerial director of photography |
Curt Klein | .. | video assist |
Shane Klum | .. | rigging grip (as Shane E. Klum) |
Eric Laudadio | .. | first assistant camera: 'a' camera, second unit |
Brent Lawson | .. | best boy grip: second unit |
Brian C. Lawson | .. | dolly grip: second unit (as Brian Lawson) |
Bruce Lawson | .. | key grip: second unit |
Jean-Baptiste LeConte | .. | (additional photography) ((lighting technician:) |
Alex Lee | .. | video production assistant: second unit |
Michael Lindquist | .. | second assistant camera |
Jon Lindsay | .. | second assistant camera |
Patrick Loungway | .. | director of photography: second unit |
Jeremy Mackie | .. | electrician |
Richard Mall | .. | key grip: additional photography |
Joe Martens | .. | best boy electric |
Andrew McDowall | .. | first assistant camera: 'b' camera, second unit |
Joseph 'JoeMac' McGinley | .. | automated lighting programmer |
Michael Earl Menlow | .. | grip |
Ryan Middleton | .. | lighting technician |
Tracy M. Mullins | .. | camera production assistant |
John Murphy | .. | dolly grip |
Jeff Murrell | .. | director of photography: additional photography |
Collen Newberry | .. | daily grip (as Cullen Newberry) |
Deana Newcomb | .. | still photographer |
Justin O'Shaughnessy | .. | second assistant camera: 'b' camera, second unit |
Efrem Peter | .. | electrician |
Eliza Plumlee | .. | camera loader |
Steve Purcell | .. | electrician (as Stephen Purcell) / electrician (as Steven Purcell) |
Bruce Robinson | .. | first assistant camera: 'b' camera |
Greg Schmitt | .. | camera operator |
Sigfried Seeliger | .. | electrician: second unit (as Justin 'Sigfried' Seeliger) |
Bryan Seidel | .. | grip |
Brian Shotzbarger | .. | grip |
Jeremiah Skender | .. | rigging grip |
Gabe Smith | .. | grip |
Steve Smith | .. | key grip |
Peter Sorel | .. | still photographer |
David Speck | .. | second assistant camera: 'b' camera: Los Angeles |
Tim Spencer | .. | steadicam operator: second unit |
Luke Bird Stern | .. | second assistant camera |
Don Stier | .. | dolly grip: 'b' camera |
Jean Margaret Thomas | .. | electrician |
Mark Tomlinson | .. | grip |
Karl Vindler | .. | digital video assist operator: reshoots |
Joe Vitellaro | .. | grip: second unit |
Scott Walters | .. | best boy electric: second unit |
Justin C. Ward | .. | electrician: second unit |
Bryan 'fro' Waters | .. | grip (as Bryan Waters) |
Scott Watkins | .. | key rigging grip |
Greg Wick | .. | lighting technician |
Martin Oliver Edward Wright | .. | video assist: second unit (as Martin Wright) |
Shawn Duchscherer | .. | lighting technician (uncredited) |
Brian Neubauer | .. | additional rigging grip (uncredited) |
Paul Tennis | .. | lighting technician (uncredited) |
Steve Waters | .. | rigging electrician (uncredited) |
Animation Department
Michael Figge | .. | animator |
Casting Department
Samantha Finkler Brainerd | .. | casting associate (as Samantha Finkler) |
Patrice Farner | .. | extras casting |
Sally Gates | .. | extras casting associate |
Eryn Goodman | .. | casting assistant |
Brandi S. Hawkins | .. | extras casting |
Lori Lewis | .. | casting associate: Oregon |
Georgia Simon | .. | adr voice casting |
Danny Stoltz | .. | extras casting |
Erin Toner | .. | casting associate |
Tin Tran | .. | extras casting assistant |
Lana Veenker | .. | casting: Oregon |
Lisa Zagoria | .. | casting associate |
Costume and Wardrobe Department
Nikki Bartnick | .. | set costumer (as Nikki Paulson-Bartnick) |
Jeannine Bourdaghs | .. | costumer |
Janet Cadmus | .. | head dyer |
Tesa Diaz | .. | seamstress (as Tesa R. Diaz) |
Jordanna Fineberg | .. | assistant costume designer |
Roger J. Forker | .. | costumer |
Leslie Gilbertson | .. | costumer |
Dana Kay Hart | .. | costume supervisor (as Dana Hart) |
Martha Hines | .. | costumer: second unit |
Sandy Kenyon | .. | costume supervisor: additional photography |
Celeste LaChance | .. | set costumer |
Susan Matheson | .. | costume designer: additional photography |
Oksana Nedavniaya | .. | costume illustrator |
Amber Overstreet | .. | wardrobe production assistant |
Mark Peterson | .. | key costumer |
Emilea A. Rivera | .. | set costumer (as Emilia Rivera) |
Chapin Simpson | .. | costumer: second unit |
Susan Strubel | .. | key set costumer |
Pamela Waggoner | .. | set costumer |
Editorial Department
Scott Gregory | .. | digital film colorist |
Michael L. Holland | .. | digital intermediate producer |
Joshua Raymond Lee | .. | editorial production assistant |
Kindra Marra | .. | first assistant editor |
Luis Martos | .. | editor: PIC |
Alan Z. McCurdy | .. | first assistant editor |
Steve Miller | .. | on-line editor |
Harry Muller | .. | color timer |
Zachary Quinn Scheuren | .. | editor: PIC (as Zachary Scheuren) |
Brian Spirnak | .. | second assistant editor |
Ara Thomassian | .. | digital dailies |
Gérard Estival | .. | color timer (uncredited) |
Location Management
Don Baldwin | .. | location manager: second unit |
Scott Bigbee | .. | location scout |
Rob Frank | .. | location manager: additional photography |
Shaun Gavin | .. | assistant location manager |
Mario Gilbert | .. | key location manager |
Peter Gluck | .. | location manager |
Catherine Kagan | .. | location manager |
Tom Lackey | .. | location scout |
James Lin | .. | supervising location manager |
Beth Melnick | .. | location manager |
Brigette Pope | .. | assistant location manager: Los Angeles |
Jairus Smith | .. | location production assistant: second unit |
Beth Tate | .. | location scout |
Music Department
Christine Bergren | .. | music legal and clearance |
Mark Berrow | .. | musician: violin |
Nicholas Bucknall | .. | musician: clarinet |
Carter Burwell | .. | conductor / orchestrator |
Richard Clews | .. | musician: french horn |
Mitchell Dalton | .. | musician: guitar (as Mitch Dalton) |
Caroline Dearney | .. | musician: cello |
Michael Farrow | .. | music engineer / music mixer |
Ginger Greaves | .. | music coordinator (as Ginger Whitman) |
Dave Hassell | .. | musician: percussion |
Scott Johnson | .. | assistant music editor |
Paul Katz | .. | music consultant |
Peter Lale | .. | musician: viola |
Bill Lockhart | .. | musician: percussion |
Dean Parker | .. | composer assistant |
Alexandra Patsavas | .. | music supervisor |
Lizzy Pattinson | .. | vocalist |
David Pyatt | .. | musician: french horn |
Adam Milo Smalley | .. | music editor |
Ian Thomas | .. | musician: drums |
David Torn | .. | musician: solo guitar & textures |
Kasey Truman | .. | music coordinator |
Vicci Wardman | .. | musician: viola |
Rosemary Warren-Green | .. | orchestra leader (as Rose Warren-Green) |
Bruce White | .. | musician: viola |
Brittany Whyte | .. | music coordinator (as Brittany Warfield) |
Hayley Williams | .. | singer: 'Decode' |
Jonathan Williams | .. | musician: cello |
Kenny Woods | .. | music producer |
Brian Zarate | .. | music supervisor |
Transportation Department
Dave Amberik | .. | driver/generator operator (as Dave Amberick) |
William A. Benedict | .. | driver |
Brandon Chandler | .. | driver |
Rick Chouinard | .. | transportation captain (as Richard Chouinard) |
James Davis | .. | driver (as Jim Davis) |
Thomas P. Donovan | .. | driver (as Tom Donovan) |
William Dreher | .. | driver/generator operator (as Will 'Power' Dreher) |
Justin Durrie | .. | driver |
Nik Edgerton | .. | transportation captain: Oregon (as Nick Edgerton) |
Steve Evans | .. | driver |
Andrew Forgash | .. | transportation |
Tom Garris | .. | transportation captain: second unit |
Shayna Goldstein | .. | driver |
Gordon Grange | .. | driver |
Ryder Greene | .. | driver: second unit |
Mark 'Sparky' Haleston | .. | driver: second unit (as Mark Halestrom) |
Ransom Hamersly | .. | driver: second unit |
Kenneth L. Hardman | .. | driver (as Kenny Hardman) |
Bart Heimburger | .. | driver |
Tyrone Hines | .. | driver |
Lance Hruza | .. | driver |
Robert K. Johnson | .. | transportation coordinator (as Rob Johnson) |
Philip Krysl | .. | driver |
Tony Laughlin | .. | driver |
Kenny Lee | .. | driver |
Andrew Marrow | .. | driver |
Stephen McGuire | .. | driver |
Brendan McKeon | .. | driver |
Greg McVey | .. | driver (as Greg 'Bubba' McVey) |
Jeremy Morgan | .. | driver |
Andrew Mott | .. | driver (as Andy Mott) |
Steve H. Pape | .. | driver: second unit (as Steve Pape) |
Wayne Parviainen | .. | driver (as Wayne Parvianan) |
Robert Platt | .. | driver (as Robert 'Spike' Platt) |
Thomas Platt | .. | driver |
Steve Polon | .. | driver/office manager |
Kevin Pullen | .. | driver |
Danny Rowe | .. | driver |
Michael Scotty | .. | insert car driver |
Joe Soleberg | .. | driver (as Joe Solberg) |
Laura Stride | .. | driver |
John Sundby | .. | driver |
Bernard 'Ski' Szymanski | .. | driver |
Mike Toston | .. | driver |
Michael Trottochau | .. | driver (as Michael Trottocham) |
J. Armin Garza II | .. | driver: camera car (uncredited) |
John Petty | .. | driver: second unit (uncredited) |
Rick Wiley | .. | driver: camera car (uncredited) |
Keegan Zall | .. | driver: cast (uncredited) |
Other crew
Raza Ahmad | .. | intern: Academy of Motion Picture Arts and Sciences |
Noor Ahmed | .. | production legal |
Brian Amlin | .. | production associate: second unit |
Dee Dee Anderson | .. | choreographer |
Lynell Bangs | .. | production accountant: additional photography |
Karen Barna | .. | business affairs/legal |
Annica Bellander | .. | marketing manager |
Karla Benson | .. | medic: second unit |
Steve Berens | .. | animal wrangler: additional photography |
Gillian Bohrer | .. | production executive |
Robbie Bolick | .. | designer: PIC |
Marcin Borkowski | .. | production assistant |
Barbara Brown | .. | script supervisor: second unit |
Stephan Burle | .. | designer: PIC |
Jason Campbell | .. | medic |
Emmy Castlan | .. | assistant: Ms. Rosenfelt (as Emmy Castlen) |
John Charles | .. | software manager: Sony DAC |
Sarah Coatts | .. | co-producer: PIC |
Matthew Cohen | .. | assistant: Mr. Godfrey |
Chris Coogan | .. | designer: PIC |
Sarah Crauder | .. | office production assistant |
Michael Crockett | .. | office production assistant |
Cody D'Ambrosio | .. | set production assistant |
Brad Davis | .. | production accountant (as R. Bradley Davis) |
Brittnee Dewald | .. | craft service: second unit |
Lorraine Dowty | .. | payroll clerk |
Sarah Duryea | .. | production intern |
Susan Brady Dyson | .. | production secretary |
Steven Eddy | .. | physical production executive |
Katie Eustermann | .. | second assistant accountant |
Erik Feig | .. | production executive |
Duncan Ferguson | .. | office production assistant |
Julio Ferrario | .. | creative supervisor: PIC |
Megan Ferren | .. | office production assistant |
Susan Funk | .. | additional craft service assistant |
Marc C. Geschwind | .. | extras coordinator |
Erica Getler | .. | additional set production assistant |
Carolyn Golden | .. | production assistant |
Pamela B. Green | .. | producer: PIC |
Julie Hansen | .. | post production accountant |
Jim Hartz | .. | studio teacher |
Lauren Henry | .. | animal trainer |
Kieran Henthorn | .. | additional set production assistant: second unit |
Lewis Herrera | .. | assistant production coordinator |
Shelly Heyward | .. | production assistant |
Art Hickman | .. | marine coordinator |
Robert S. Hoffman | .. | set production assistant (as Rob Hoffman) |
Wendy Jessen | .. | aerial coordinator |
Marisol Jiménez | .. | second assistant accountant (as Marisol Jimenez) |
Eric Johnson | .. | office production assistant |
Quanita Johnson | .. | production finance assistant |
Bev Kadow | .. | boat wrangler |
Lloyd L. Kadow | .. | boat wrangler |
Jamie Kemp | .. | chef |
Ashley Kravitz | .. | clearance coordinator |
Adam Kulick | .. | representative: Goldcrest Pictures Limited |
Rose Leiker | .. | set production assistant |
Devan Linforth | .. | set production assistant |
Marcus Lucas | .. | stand-in |
Sean Ludeman | .. | stand-in: Robert Pattinson |
Adam Markle | .. | production assistant |
Cathy Marshall | .. | payroll accountant |
Traci Martin | .. | first assistant accountant |
Amber Mazzamuto | .. | assistant: Mr. Morgan |
Shane McCarthy | .. | production assistant: second unit |
Devlin McCluskey | .. | second assistant to Mr. Morgan |
Kristi McConnell | .. | construction accountant: additional photography |
Mary McDonald-Lewis | .. | dialect coach |
Linda McGinnis | .. | first unit medic (as L. McGinnis) / medic (as L. McGinnis) |
Lisa McNeil | .. | script supervisor: additional photgraphy |
Tony Murphy | .. | representative: Goldcrest Pictures Limited |
Brian Nailing | .. | cook |
Kyndi Niquette | .. | photo double: Rachelle Lefevre |
David B. Oliver | .. | production finance |
Mike Page | .. | production assistant |
Harley Pasternak | .. | personal trainer |
Adam Perrigan | .. | set production assistant |
Myleshia Perryman | .. | assistant: Ms. Imperato Stabile |
Francis Pfitzner | .. | production staff: intern |
Ken Potts | .. | set production assistant |
Danielle Poudrier | .. | production assistant |
Katie Powers | .. | photo double: Kristen Stewart |
Michael Prokop | .. | chef |
Aurora Ann Quinones | .. | production assistant: reshoots |
Katie Rasmussen | .. | production assistant |
Benjamin R. Reder | .. | production legal counsel |
Russ Riggins | .. | production financing: Comerica Entertainment Group |
Sam Ross | .. | craft service: second unit |
Bill Rowe | .. | baseball advisor |
Jackson Rowe | .. | production assistant: second unit |
Jason Ruffolo | .. | additional production assistant: second unit |
Jule 'Dude' Rustemeier | .. | death consultant |
Mika Saito | .. | production coordinator |
Rey-Phillip Santos | .. | production assistant |
Taylor Saxon | .. | key medic |
Tara A. Senior | .. | production legal counsel |
Geoff Shaevitz | .. | production executive |
Ann Shimabukuro | .. | set production assistant |
Kevin G. Shipley | .. | production assistant |
Peter J. Silbermann | .. | unit publicist |
Bret Slater | .. | production secretary: additional photography |
Roland Sonnenburg | .. | animal trainer |
Todd Steiner | .. | production financing |
Faith Strongheart | .. | assistant production coordinator |
Heidi Sturdevant | .. | script supervisor: second unit |
E. Thompson | .. | production executive / production executive: Maverick Films |
Michael Thompson | .. | production assistant |
Judi Townsend | .. | script supervisor |
Shermagne Umali | .. | production assistant |
Ryan Van Riper | .. | assistant accountant |
Jarik Van Sluijs | .. | creative supervisor: PIC |
Chanda Venable | .. | production assistant |
Anthony Walters | .. | representative: Goldcrest Pictures Limited |
Benn Wiebe | .. | assistant to producer |
David Williams | .. | assistant craft service |
Patsy Williams | .. | craft service |
Tim Williams | .. | wolves trainer |
Derek Wilson | .. | production assistant |
Ryan Windsor | .. | medic |
Donald E. Wygal | .. | production coordinator: additional photography (as Donald Wygal) |
Sharyn Yau | .. | publicity and marketing |
Ed Yonaitis | .. | office production assistant |
Jason Zorigian | .. | production coordinator: second unit |
Wes Murphy | .. | stand-in: Robert Pattinson (uncredited) |
Regan B. Pederson | .. | legal intern (uncredited) |
Audrey Walker | .. | stand-in (uncredited) |
Thanks
Brian Zarate | .. | very special thanks |